My rating: 8
IMDB rating: 5.4
IMDB link: The Longest Week
My one friend texted me after watching this movie saying that she is seriously developing a Jason Bateman crush… And I totally agree! He understand something about comedy that, to me, not a lot of people do and that is that there lies a certain amount of disconnection in the comedic.
First of all, this movie is director Peter Glanz’s first film, that had a limited release in 2012, followed by a more official release in 2014. As soon as you start the film, it becomes clear that Glanz is influenced by the “droll narration” (as the rogerebert.com review puts it) of Wes Anderson and the spectacular love for New York á la Woody Allen. Does this sound pretentious to you? Well, it is! And that is one of the films biggest charms…
Make no mistake, this film is extremely pretentious- but it never tries to be anything other than that. In fact, the film comments and reminds the viewer again and again that it is, well… pompous!
What saves the film, though, is the fact that it never, at any stage, takes itself seriously. The characters are overblown and their actions tend to be absurd, but to me the message in the film was still crystal clear…
Don’t take this film seriously, don’t take yourself seriously!
Of course, not all critics were as favorable to this showy way of film making. The aforementioned rogerebert.com review gave the film one star out of five saying: “Not even the able actors that Glanz somehow managed to rope into his project can do much with the draggy story and the vapid characters that they have been given to play.”
The A.V Club on the other hand describes the film as “clearly the work not of a lazy thief, but of a raw talent who’s still struggling to find his own voice. In the meantime, his impressions are pretty darn impressive.”
Therefore, I feel it is important to let this film talk to you as a comedy and not necessarily a comedy-drama, as it is often described.
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